Watercolour pencils and pen on 12″x18″ paper
© 2011 All Rights Reserved
“A #2 pencil and a dream can take you anywhere.”
Joyce A. Myers
‘“Three Ducks on a Walk”
Acrylic on 11″x14″ canvas
© 2011 All Rights Reserved
“If you keep your feathers well oiled
the water of criticism will run off as from a duck’s back.”
Ellen Henrietta Swallow Richards
I know right where to find you and when. You quietly nibble something from the ground that has mesmerized you–something so tiny it’s practically invisible to my naked eye. I hoist the dog under my arm for tranquility’s sake, but you remain tethered to the grass, pecking, unappreciative of my efforts. Creeping through your midst, I take 30 photos while you remain oblivious to us in your drunken patch. My dog’s nose and eyebrows wiggle as he breathes in your feathers and excrement. This is his poppy field. So long for today my badelynge, flock, bunch, paddling, brace, team, raft–my dover of ducks.
I haven’t written much in a few months. In fact, ever since I took that acrylic painting workshop a few months ago, it seems that all I want to do is paint and not write. I still write snippets but my heart is in painting. I don’t think it’s a phase, but then again I never know these things in advance. It’s just that it hit me so hard. I’ve even built myself a “Like’ page on Facebook, and I never did that as a writer.
I want to improve and be able to paint hands. So far, I have had to cover up two pairs of hands in two different portraits because I couldn’t get it right. In one, I placed a blanket over part of the hand, and in the other, I painted gloves where the hands should have been. It was believable only in that it was an outdoor shot and the person was already bundled up in overcoat and scarf.
Oils might be easier, because you can massage the oils for days to get it just right. With acrylics they dry in a few minutes, then you’re stuck. When you go over it, it becomes thick and overdone. I am on the look out for a portraiture workshop where I can concentrate on faces, hands, and feet.
I majored in Art in college in the early ’80s, because I followed my heart. I then proceeded to kick myself for decades afterward when I could never make a proper living. The Graphics field had only just begun. Prior to that, in my junior college, I majored in Advertising Art, pre-Graphics, where you worked with a T-square, cut and paste, and hand-drawn illustration. But I didn’t have a plan as to how I would really make ends meet once I got out of school.
It recently dawned on me, after taking the painting workshop, that since the time of art college, I’d been forcing my brain to work on the side that it didn’t particularly enjoy, the left side. My stint in Nursing school during my mid-40s crisis was the breaking point. Having never studied Chemistry or advanced Maths, I found myself in a constant state of high stress, trying to memorize everything on short-term memory. It took me ages to get over the fact that I didn’t pass the third quarter of the two-year accelerated RN program.
Needless to say, no other job that I’ve taken has been artsy enough to give me a sense of pleasure in my work. So when I started painting again, a joy that had lain dormant was reawakened, and I began to channel myself as that 20-year-old art student, living from the correct, right side of her brain where things clicked. As I drew, painted, viewed art pieces, and wandered through art stores, a feeling of sheer happiness came over me. The world was right. In time that contentment became a chronic state. And how I welcomed it.
I tried not to lament of the time I’d spent not syncing with my brain, not doing the things I should have done over the last 30-something years. But maybe I really did do everything I was supposed to do after all.

The rituals of the leaves
Between two rows of trees losing orange-pink leaves,
In haste I stepped on the fallen.
I sidestepped with the balls of my feet,
When I realized that it was no ordinary street.
Pastels spiraled down to their fate,
A bed of soft gnashing grass or concrete,
Atop one another with outstretched arms.
Heaved sighs or curled up in surrender.
Billowy fluff on a drainage pipe waited,
Increasing discomfort in numbers ill-fated.
Sidewalk buffers they were trampled, crushed, and soiled,
In sacrificial plumes on Saturday.
The leaves fell all night mounting into the ‘morn,
Two hundred twenty-seven from 2:00 until 1:00.
Then another 274 fell from 1:00 until 2:00,
And I counted them all in mourning.
I should have enjoyed the extra hour’s sleep,
But instead was besieged by the rituals of the leaves.
So to avoid further grief under shedding trees with leaves,
I shall instead count merry, woolly sheep.
© 2011
~~
FALLBACK – by m.medler copyright 2011
I’ve never hosted anyone on my blog–other than my pets–so please give a warm welcome to a talented painter and writer, Mike Medler. I loved the passage about the moon climbing up in an awkward motion from branch to branch and the way he sees planets as females. Please leave your comments. He’d love to know what you think. You can read more of his work at mukilteoarts.org on the Writers Group link.
Elemental
Five hours since the sun died
Though she lives on beyond my vision.
Half a world away by now,
She watches men die for unknown reasons.
I remember this twilight
Where the clouds saw the sun and caught her.
Her rage and fury wrought out hues
Unknown to me with my limited views.
The moon, like the sun’s silent sentry,
Rises through the branches of my birch tree.
I watch her awkward climb,
Scrambling branch to branch.
Finally she leaps to the sky
Alone in a throne of clouds.
I love this night world
In all its ghostly splendor.
I love the chill north wind
Though I can never catch her.
I throw arms wide to embrace her,
But she has passed me by.
I wonder, could she love another?
Mike Medler © 2011
[Photo: Zemanta]
My mother and sisters and I visited my grandmother on occasion, and since it was my father’s mother and not my mother’s mother we didn’t visit often. My mother put up with my grandmother’s unsolicited advice and sat quietly out of a sense of duty with a politeness the way mothers did back then, but she mostly demurred at having to ready three young girls and driving an hour only to land into an awkward and uncomfortable situation.
Every so often a friend of my grandmother’s was there. I’ve forgotten her name, but she and my grandmother addressed each other as “darling” in a class accent that amused me. My grandmother and her friend were beautiful, older women and full of pride. Her friend was what you’d call a handsome woman with chiseled cheekbones that had lost their youthful rounded softness and eyes that had sunk into deep wells. Her medium brown hair, meticulously dyed, was set into large and soft waves and was perfectly arranged. Her voice was kind and clear, and she made it a point to engage me into conversation even when we said very little.
At least that’s what my grandmother’s friend was like on our previous visit. I hadn’t realized a couple of months had gone by since we’d seen her until my mother mentioned something about her having “cancer.” My mother was on a phone call and I pressed her for details but it was the 1960s, and it wasn’t for a child to interfere with adult issues. I knew it was a terrible disease and that people died from it, but I figured I would learn more about it when someone deemed it appropriate enough to explain it to me. That’s how it went in our family. And, I reckoned, that was how it was supposed to be.
We next visited our grandmother on what would have been an otherwise unremarkable day. My grandmother’s friend was there. I went to greet her with more enthusiasm than usual, the way one does after an extended absence. As I approached, her silhouette became disjointed. I blinked, but the shape of her face didn’t change back to what it should have been. What seemed wrong from a distance became distilled up close. I tried to act stoic like I hadn’t noticed, like nothing was different, but I couldn’t avert my stare. I studied it–that part of her that was missing and the part that was still there.
My wide eyes may have given it away. I may have inhaled or gaped my mouth. But she forced her gaze into my eyes and kept me on track by talking to me the entire time. I responded with one-word answers and nods while she kept me on my feet. She was a genius. She spoke out of the good side of her mouth, and I had to look there to read her lips. Emotion welled up inside of me, but she was so strong that I couldn’t let myself crack. Her courageousness was breathtaking. I maintained my equanimity because of her selflessness. She made a seamless transition from handsome woman to a disfigured beauty. She was still the epitome of beauty, yet it was more than just a superficial, handsome appearance. She taught me a valuable lesson about Inner Beauty that day through her bravery and tragedy.
Afterward, I found out that the right side of her jaw had been removed due to bone cancer. Why didn’t they warn me and prepare me for the shock, I wondered. My family’s communication skills were mind-numbingly dysfunctional and caused an ache in the pit of my stomach.
As a mother, I’ve taken the opposite approach with my children. I’ve over-explained even when they haven’t asked. Sometimes they tease me about saying more than they want to hear.
“Too bad,” I tell them.